I read with agony that many great Malaysian films tend to get accepted in various popular film festivals around the world. Pusan. Rotterdam. Berlin. Tokyo. Toronto. They call it an international film festival and that’s not about the standard of the films, but rather the sharing and understanding of this multicultural, multi-linguistic world. Maybe people don’t understand or don’t value the ideas of such film festivals (or life, for that matter), which probably makes it less worthwhile to produce films here. It makes the Malaysian New Wave (literally meaning a new wave of indie directors) sound like an underground movement, when they should be lauded for making quality films. I noticed the number of recognitions that Mukhsin had attached to its poster, it was like it traveled around the world before coming back to be released here, backed by auditions abroad to stamp a more marketable feature of the film.
I still cannot believe the stance on censorship. Every Malaysian would want to have an internet connection, and TMNet knows this, offering desktops with their streamyx packages, and lowering rates to attract new customers (even if it means disgruntled existing customers). Well, why not? It’s uncensored. For now, at least. Everything you wanted to know in a movie, but was cut for whatever dubious reasons, you can find it out on the net. You can find out The Departed had used the work “fuck” a massive 237 times but probably none were heard at cinemas. It’s not that it’s a great deal, or the word “fuck” was fundamental to the plot, but the notion of the cover-up, of something so blatantly obvious and so that it makes us, the population, seem like weak-minded fools who needs other people to decide if anything is too much for us. Let’s not kid ourselves anymore. This is why we look up to people who have travelled extensively, where visual and verbal expressiveness are far more advanced than those of ours. If you want to censor violence, censor the news. Maybe replace the news entirely with “Football Focus with John Dykes”. There’s certainly no violence there, plus, our very own Shebby Singh is there vehemently bombarding us with his cracking wit.
Where’s our own film festival if we’re so broad-minded, and so willing to embrace globalisation and think globally? This is such a pampered and protected country that is still too highly appreciative of ourselves. We’re hardly a place too good to be true. We’re still developing. Yes, developing more smart people, developing more people who can grow money, developing people who will work more for less, developing people who can achieve anything and developing people with other broad elements as mentioned to spur the development of this country. In other words, spawning people who would create both value and wealth, striving for excellence and looking forward to spend a good amount of their wealth on foreign luxuries and luxuries in foreign countries. It almost sounds like we’re a programmable robot, trained to be as dynamic and useful as can be, though there’s still a band of people whom robots will find hard to replace. No, they’re not called the government. They’re most likely the people who feels life is more than just money, love and sex. Well, more often than not.
Back to the film festival rant; i’m still appalled by this country’s lack of recognition of our indie filmmakers, and much of indie filmakers in general. I mean, i’m not praying for them to be accepted as mainstream, but why do our films enjoy greater measure of publicity in foreign countries, while after all that touring, it comes back to open at box offices in Malaysia? It’s probably not good enough and too good at the same time for us. Not good enough when compared to Spiderman, yet too good for us to understand and appreciate. Our own sadistic Malaysian Film Festival (please find that the word International is NOT attached, which again, is by no means indicating the standard of the films but rather the sharing and understanding of this multicultural, multi-linguistic world) which is the product of goofy industry people, had 30 awards to give out to 25 films in 2005. 2006 had 2 less films, the same number of awards. “Filem Malaysia Era Globalisasi” konon. (loosely translating to “Malaysian films in the globalisation era” my ass.)
Quoting fervently from kakiseni:
Amir Muhammad
Director of Tokyo Magic Hour (IFF Rotterdam, Singapore IFF, Hong Kong IFF, San Francisco IFF, Los Angeles Asian Pacific FF, CINEFAN FF, and Melbourne IFF)What are your thoughts on the awards?
It places importance on not offending anybody, giving awards to everybody.
Fantastic.
Singapore’s Intertional Film Festival is already reaching its 20th year, yet another feather in their cap and argument for them being light years ahead of us. There’s even a Yasmin Ahmad retrospective on the 19th Tokyo International Film Festival, probably the most acclaimed Asian Film Festival, where Sepet was honored as Best Asian Film. Here is another retrospective in honour of our Yasmin Ahmad, who’s not shy to court controversy in recent memory.
UNIVERSITY OF HAWAII WILL HONOR ACCLAIMED MALAYSIAN FILM DIRECTOR WITH FIRST U.S. RETROSPECTIVE
What: Retrospective on Director Yasmin Ahmad and Contemporary Malaysian Cinema, Director in Person
When: April 13 to April 15, 2007
Where: Doris Duke Theatre, Honolulu Academy of Arts
900 South Beretania Street, Honolulu, HI
1 808 532 8768
Study so hard for what, when we cannot appreciate things and efforts like this. I don’t think we’re that flipping special that they should labour to learn about us and our cinema, since we don’t learn anyone else’s. A handful do. But again, no, it’s not at the inception of our government. They’d wish for people to accomplish anything, and then hail the great people of Malaysia, fuelling the fact that “Malaysia (masih) Boleh!”. They would provide something like a free education (which means, cheap textbooks and a real building to study in, but offset by placing 50 people in a class, lousy facilities and unmotivated teachers) til 17 and some tax concessions. Like i said, study, make money and hopefully be somebody. In no particular order. That’s life here.




