S K I T Z E L S

Because life\’s a bittersweet candy

MIFF 2006

ABOUT MIFF

MIFF is regarded unequivocally as the most significant film event in Australia. It has the largest and most diverse programme of screenings and special events in the country, in addition to the largest audience. There is also growing international regard for MIFF as a film market place, with a steady increase in sales agents attending (from MIFF website).

What prompted me to quit my waitering job in Sydney to pursue the Melbourne Film Festival most was the fact that i will never be able to do something like that in Malaysia. I was having a week off in Melbourne in the middle of July, soaking up the cold of winter at its peak, that i discovered that the festival was on from July 26th til the 13th of Aug and i began to feel as if i’ve taken a step too early to be here in Melbourne. Contemplating over three days whether i should be back there again to be part of it all, i finally made the decision to be there again, albeit only from August 3rd, since i needed to work to earn some cash. I’ve not regretted.

It delivers films from around the world, igniting again my dreams of wanting to travel. The armchair traveler that i am, i absolutely adored watching movies, how stories can be told, how lives can unfold, how pictures can be painted, and how emotions are conveyed on a screen. And now i’ve taken this love affair up a notch. These movies are not defining moments of cinema, but so refreshingly good from all those hollywood crapsticks. Spending 11 days either in a dark room or my eyes closed is bound to be something memorable, and hereon, i will try to recreate, capture and spill my thoughts about all the movies that i have watched.

It was certainly a long way from Hollywood.

MIFF REVIEWS

My very own review of the movies that i’ve watched on the Melbourne International Film Festival 2006! As much as they are my own reference that i may always recall this positive experience, i’m writing this for you too, that you may gain more insight on the films that were screened at the festival, and many of these movies were originally screened at other festivals too like Pusan, Toronto, Rotterdam, Berlin and Cannes.

Time for the greatest show on Earth!?

Posted by kittt on August 21, 2007

Paprika.

Living a double life, Dr Atsuko Chiba is a 29 year-old research psychotherapist working on the cutting edge of the scientific community. Her alter ego, 18 year-old Paprika, is a dream detective who enters people’s sleep at night to battle the source of their neuroses and anxieties. When an evil force steals her dream-entering device, waking life becomes over-run by nightmares and Paprika is the only hope for saving Tokyo from annihilation.  - MIFF

Now let me just add that to my wishlist. A wishlist that’s not been updated for awhile. Christmas’ coming soon, and i would love to strike a few of them out by then. Yes, the title appears to be the first words on Paprika, Satoshi Kon’s latest anime offering. Well now, anime self-respecting anime fan has to know that name, and at least watched one of the following 3 movies; Perfect Blue, Millennium Actress and Tokyo Godfathers.

A brave tagline seen on IMDb, regardless of who put it there, is “This is your brain on anime” and the first thing that comes to mind was a similar mind-boggling anime, Mind Game. It goes beyond artistic elements and metaphors, blending the craziness of what you can do with animations and just fudging with you mind. Thus, Mind Game, i suppose. Paprika seems to explore something of a more coherent plot or idea or whatever you like to call it. It was shown on the Melbourne Film Festival, and i can’t believe that it’s been a year now since i was in Melbourne having the time of my life overexposing my eyes to films of all languages and genres.

I’m no artist, and though life may not seem that way, i agree with Jean Luc Godard that a film has 3 necessary elements; a beginning, a middle and an end, but not necessary in the said order.

“This head movie is cunningly designed to mess up minds.” – Japan Times.

***

Another interest bit. For some reason i ticked the section GSC In’tl screens Newsletters when signing up as a member there, and to my greatest surprise, my curiousity in actually opening the email which i usually delete without a 2nd thought reaped a sorta of a magical gem which i thought i had lost about one year ago. The three words i saw was “Linda Linda Linda“. Thank you GSC for having this Japanese Film Festival, though it might not be much.

At least there’s something from Hirokazu Kore-eda!

***

Even more of interesting bits.

A reflective day, where i blab a whole lot with miss sakaki, had a lot of cheese and then regretting it when i look into the mirror, i finally realised, at the end of the day, while typing the few paras above that today marks 1 year i’ve been back in Malaysia. Not that it really matters to anyone anyway. But one year on, have i decided what i really want? sakaki-chan was saying that even she doesn’t know (yet), and i can’t say i am relieved. I mean, when i look at all those shiny happy people who seem to know where they are going, i’d really love to know if where they is really where they wanna go?

It’s still early days in life when i think about it again. And i think i am beginning to be able to map out what i really want. I just need the Lord’s help.

Posted in Film reviews, Personal thoughts | Edit | No Comments »

Dutch Film Festival screening times at GSC Midvalley

Posted by kittt on April 25, 2007

The times for each show can be found here.

I’m really looking forward to watch Paradise Now.

Anyone interested?

Posted in Film reviews | Edit | No Comments »

A PRAIRIE HOME COMPANION by ROBERT ALTMAN

Posted by kittt on November 27, 2006

A Prairie Home Companion, the last feature of the late Robert Altman, is very capably and immaculately done, as you would imagine. So much so that the characters seem to be totally enjoying themselves in the movie, with lively and natural performances. They seemed relaxed, without signs of over-perfecting the entire movie.

An idea inspired by Garrison Keillor, it draws THE fitting end to a long running radio show, in front of a live audience. Star performances by its elite cast is a joy to note; Woody Harrelson and John C. Reilly as Dusty and Lefty, sterling performances by Lily Tomlin and Meryl Streep who seemed like they’ve been working together forever, a delightful Kevin Kline doing what he does best and a noteworthy performance by Lindsay Lohan, shying away from all the teensy-weensy movies. All this under the watchful eye of the master.

Its leisurely pace, the setting, the direction and the camaraderie which existed between the characters. Funny, witty conversations, Dusty and Lefty providing lots of it, along with GK, who wrote the screenplay. A joy to watch, nothing the masterpiece or the marvel but very delightful nonetheless.

indiewire remembers him here, and you can learn more about the man as the tributes pour in the for a great filmmaker.

Posted in Film reviews | Edit | No Comments »

PRINCESS (Anders Morgenthaler, Denmark, 90 mins, Danish w/ Eng subs)

Posted by kittt on November 17, 2006

A princely animated debut, drawing some stylistic parallels with Japanese animation. A violent, action packed feature contrary to what the title may lead you to think. The feature title turns out to be a dead character in the movie, Christina, a celebrated porn star. Her death give births to horrors when her brother finds Mia, Christina’s daughter, has been abused.

When his request that all footage of The Princess retained by the porn company be destroyed, an uncalled for bloody violence is unleash upon the people who brought her fame, taking on the entire industry single-handedly.

The film features  sequences of live action replaying flashbacks, and boasts violence that live action films would find difficult replicating. A one-man slaughtering of the porn industry, the film seemingly points to a certain agenda that it is made for. As the director remarked, “whilst pornography is openly available (in Denmark), the women involved are regarded as being a sort of underclass – and his film was partly an attempt to expose this hypocrisy.” (citing londonviewer)

Posted in Film reviews | Edit | No Comments »

FRIDAY OR ANOTHER DAY (Yvan Le Moine, France, 120 mins, French w/ Eng subs)

Posted by kittt on November 16, 2006

Phillipe de Nohan, a Parisian actor from the Comédie Française is the sole survivor of a shipwreck, and finds himself the sole inhabitant of an island. Phillipe recontructs his life in the island, cursing his luck at first but find it inevitable that he will spend the rest of his life there. Set probably during the pre-Renaissance period, he sets about his lonely life and stumbles across a dog, which he domesticated and put to good use pitting the dog as part of a society, electing himself absolute ruler and governor of the land.

When he encounters a tribe of unknown origin on the island performing a ceremonial rite, he sets about investigating them and ends up capturing one of them and held him to be his slave. His solitude bordering towards insanity, he sets about teaching the boy the ways of the world he used to know, and finds a different meaning of life altogether; one that as a person rich in culture, can hardly differentiate.

Posted in Film reviews | Edit | No Comments »

9 SQUARE METERS FOR TWO (Joseph Cesarini and Jimmy Glasberg, France, 94 mins, French w/ Eng subs)

Posted by kittt on November 16, 2006

I could scarcely remember anything from this movie, other than the depiction of the 9-by-9 cells used by the inmates, the methodology used to create the film and that I really do not want to be in prison. 2 reasons for this; 1) I had no notepad to record anything that I wanted to say, even if I had anything to say at all and 2) I had barely any sleep the night before, for reasons unknown, and was drooping off to sleep every 5 mins, largely thanks to the fact that there weren’t many people sitting around me anyway.

The idea of the film was to convey to the viewer of the conditions and the life being in prison as viewed from the eyes of the inmate. 10 inmates were used for this film, armed with basic filming skills and thus allowed full freedom of expression and each became their own director and star of their own short films of their lives. It was easy to comprehend, no whiff whaff to consider about plots; just clear pictures of who these people really are and how they go about living their own lives in the cell provided, some bringing lively and frank introduction, so less so, some were totally annoyed at their cellmates and this made the film seem so enterprising. You’ll need a certain mood to watch this, not recommended if you do not have enough sleep.

Posted in Film reviews | Edit | No Comments »

MANSLAUGHTER (Per Fly, Denmark, 100 mins, Danish w/ Eng subs)

Posted by kittt on November 16, 2006

A dark, depressing film of consequence and morality following a student activist, Nina, who was accused along with 2 friends of killing a policeman. Middle-aged college professor Carsten who is also her lover, decides to forsake his family to spend time with Nina, abandoning his wife and losing the respect of his son.

Loopholes the size of the ozone and a lack of evidence acquitted Nina and her friends, sparking an outrage of the policeman’s widow. What follows on here is the guilt, regret and insecurities that takes ascension in Carten and Nina’s lives, with a policeman killed, outrage from the media and 2 destroyed familes haunting them.

This felt like it was somewhat styled like a B-grade Hollywood drama with lots of emotions, but not much substance.

Posted in Film reviews | Edit | No Comments »

PUSHER (Nicolas Winding Refn, Denmark, 105 mins, Danish w/ Eng subs)

Posted by kittt on November 16, 2006

Tough action throughout, Pusher is the first of a trilogy of the same title, possibly Godfather inspired about life pushing drugs on the streets and living it out loud. A cult favourite among indie viewers and in Europe, its all action characters lives up the action on the streets depicts the viciousness of the business.

When Frank screws up a huge deal, all hell breaks loose and he can only rely on his wits with the whole world. Good acting and clever writing, with a good mix of character development and action, resulting in a splendid, compelling action movie.

Posted in Film reviews | Edit | No Comments »

LUXURY CAR (Chao Wang, China, 88 mins, Mandarin w/ Eng subs)

Posted by kittt on November 16, 2006

A father, upon the wishes of his ailing wife, sets out for Wuhan to search for his son with the help of his daughter. His disillusioned daughter confers little help, but he meets a policeman who offers to be of service despite being only a few days from retirement. Determined to find his son, both of them slowly unearth clues regarding is whereabouts and find out a little more about who he was and what he was indulging in.

A tale of despair and fate, Luxury Car examines what life can be like when country folks wander into the city in search of a better life. It visualizes a virtue clearly lacking in today’s society; contentment. But everybody loves a rags-to-riches tale. So why make a movie about those who tried and failed?

Because no one remembers them.

Posted in Film reviews | Edit | No Comments »

CLIMATES (Nuri Isa Ceylan, Turkey/France, 97 mins, Turkish w/ Eng subs)

Posted by kittt on November 16, 2006

This is straight from the arthouse; from a team of real-life husband and wife who play the lead characters, the contours of their faces form the basic expressive dialogue in the movie. The settings and landscapes are pleasant, and the weather is a metaphor for the ever changing moods the characters go through. You can sense the subtle perfections in each frame, and leaves the viewer to feel the raw emotions of the characters.

Very, very impressive and artistically done. There is gravity drawing you to the characters, and while the expressiveness is central, the dialogue does moves the story forward. Artistically superior, but not much else.

Posted in Film reviews | Edit | No Comments »

THE HOST (Bong Joon-Ho, S.Korea, 119 mins, Korean w/ Eng subs)

Posted by kittt on November 14, 2006

Myself, had been reading as many reviews as i can regarding The Host, for each of the reviews doesn’t seem to help much. And i can’t help much either. This is genre defying at its best as it has so many sides to it; action, comedy, horror, political satire, family drama without being too much of either one.

It shies away from stereotypes, seamlessly blending everything and conjuring up something very special here. It goes lengths to show bizarre and commiserating sequences. taking your heart out for a wild ride and you feel for each characters, even for Kang-du’s lack of flair for living and you’ll see why even though you’d pull your guts out for him. By the end you won’t know what you’ll feel, but that’s the best thing. Unpredictability is a gem of this movie and a blockbuster of a movie in Korea.

Watch for yourself, and you will see what i mean. Opens at GSC on the 30th of November.

Posted in Film reviews | Edit | No Comments »

C.R.A.Z.Y (Jean Marc Vallee, Canada, 127 mins, French w/ Eng subs)

Posted by kittt on November 13, 2006

Movie titles often hints on the tilt of the theme with a very basic notion of the film, whether literally or indirectly. This film goes a long way in doing that; it embodies everything about the movie to the extent that the title becomes the very essence of the movie. Loosely based on co-writer Francois Boulay’s memories of growing, and i must say, along with Jean Marc Vallee, they have created one of the best coming of age movies.

There was a way long forgotten about making ordinary lives seem so wonderful and interesting and watching this makes me remember how. Lives of 5 brothers and their family, interwoven before the eyes of Zachary. It apparently took 10 years to write this film, and i can see why. The depth of each character is vivid; everyone has very interesting traits, each person is carefully detailed and you feel alot for certain characters. You can feel both the happiness and anguish each character feels, because it’s easy to relate to. I, for one, was moved by his Zachary’s antics to ‘heal’ his asthma, since everything else failed him, Mum, medicine and the tupperware lady who thinks he’s divine, and he thought only God or something freakish would save him.

As they go along, you’ll see the there indeed isn’t any right or wrong about growing up, they all took different paths, and they seem to turn out alright. Disappointments and anger come and go, but families are forever. I’ll rate this as the best coming of age movie i’ve ever watched, and as a general movie, there is a comparable likeness to Goodfellas, on so many levels that i’d find it hard to pick which was better. The music, the plot and the characters, much like in The Goodfellas, are superb. The Who, Rolling Stones, Pink Floyd, Patsy Cline, David Bowie and Elvis, ringing the tunes, putting the gloss on a timeless classic.

Posted in Film reviews | Edit | No Comments »

THE WAY I SPENT THE END OF THE WORLD (Catalin Mitulescu, Romania, 106 mins, Romanian w/ Eng subs.)

Posted by kittt on November 13, 2006

T

here was seemingly no plot in this movie, but it goes to great lengths to depict pre-Revolution 1989, under the Communist dictatorship of Nicolai Ceausescu. It follows Eva, her surroundings, family and growing up during those last days prior to the Revolution. Lalalilu, her very likeable brother who more than totally adores her; he loves and respects her, providing some cheery and feel good moments in a rather easy watching film than what the title suggests.

It was what that we cannot convey in words but expressed through experience and your eyes are taken into Eva’s life. She was ardently gifted with innocence and was no more beautiful than anything, drifting a long, long way to make life simpler. There was no great achievement, no victory or defeat, no grandeur, but emotions and the silent resistance that many families take part in.

The grandest of plans was conjured by 10-year-old Lalalilu and his 2 carefree friends, aiming to be part of something you do not want to be foretold. It was beautiful, careless, charming and sad, and I cannot help to take my eyes off Eva and ‘Lali’ (as he is called for short) and their bond is something uncommon and wonderful. No matter how hard life can be, being there for one another compensates and soothes them to no ends. One of my favorite feel-good movies, it’s a touching story in a historical setting that thankfully does not immerse itself in history lessons.

Posted in Film reviews | Edit | No Comments »

FLANDRES (Bruno Dumont, France, 90 mins, French w/ Eng. subs)

Posted by kittt on November 13, 2006

I went watching FLANDRES hardly remembering anything i’ve read about the movie which made me want to see it above other film screening at the same time, which can be a good thing. It was the 3rd screening i was watching at the Regent Theatre on Collins Street

The movie was a minimalist effort in that it appears not to have a coherent plot which prefers revolving in the static emotions and actions of its characters in backdrops of the hills, deserts, war, lush forests and beautiful landscapes to carry the movie forward. Emotions were never floating but rather regressing into each individual character’s behaviour and actions and we are left to wonder about the thoughts of each character who do what they do and deal with its subsequent consequences

Very graphic portrayals of violence, rape, a lot of sex and very capable of seriously offending those not accustomed to watching such movies, it is a tale building blocks on grounds of regrets, our choices in life, our fears with very little unnecessary dialogues. There is a void each character is trying to fill, and actions, rather than facial expressions or words convey most of about what a character is feeling. You have been warned.

Posted in Film reviews | Edit | No Comments »

HEADING SOUTH (Laurent Cantet, France/Canada, 105 mins, French, Creole w/ Eng subs)

Posted by kittt on November 13, 2006

In what could be described as an enquiry into human behaviour and desires during a true historical period in the 80s, Heading South documents the desires that envelopes its characters quite candidly, exploring their confessions and feelings as expressed on a character by character basis

Three middle aged women from North America who visits Haiti for a vacation are the focus of the movie, depicting them as financial goddesses with infinite dollars while dissimilarly having precious little to contend with in where they come from. It is the connections and the relationships with people that they seek with the dollars they bring. It made them somebody there, instead of being tirelessly nobody at home. The viewer gets subjected to the fabrication and the callous denial of loneliness, the imposing gap of societies and left with the feeling that they’re not the only ones who feel the way they do. A gem of a movie, but perhaps not everyone’s cup of tea.

Posted in Film reviews | Edit | No Comments »

THE GREAT HAPPINESS SPACE – A TALE OF AN OSAKA LOVE THIEF (Jake Clenell, UK, 75 mins, Japanese w/ Eng. subs)

Posted by kittt on November 13, 2006

The great deal about Jake Clenell’s absurdly honest take on this niche of men servicing females in closely similar proportions of prostitutes is that it fundamentally portrays that we do not have the answers to the deepest darkest questions that we ask about ourselves; whether we’re looking at our jobs or relationships, and who we are is truth that flows through the course of our lives. At its core, it raises the questions that we probably do not know what we really want, or if we do, we do not know what to do or how to deal with deficits. Osaka is the place we look at, focusing on Issei (just 22 years old) and his club, Rakkyo.

What was annoying though was that parts and connection that were drawn on depicting the cultural aspects of Japan we found to be funny when it clearly was just the way people communicate, albeit fairly dissimilar to Western culture. I find it slightly disrespectful; since I don’t laugh at Western cultures despite providing high figures of doomed relationships that were mingling with pretentiousness and validation of self existence bordering on the foolish. But I shall never understand, perhaps for now, although the mood for the movie was brutally honest and I truly liked it.

Getting on to the deails of such host clubs; prostitution is celebrated as men’s fantasy, desire and urge that men have accumulated inside. Its emphasis is of the physical state, venting sexual frustration and tensions that are choked up without any release. Bar hostesses, GROs, strippers provides company, entertainment, friendly chats and flirting which more or less rather rejuvenates a person mentally. Male hosts, however, sells and paints dreams. Dreams of attention, love, compassion, innate hunger, longing and desire for the lonely women who are in fact their customers. Any woman could walk herself right in, few drinks and champagnes later she would be the happiest girl alive; at least they try to make her feel that way. Comfort is essential, since we are dealing with sensitive, delicate and emotional creatures after all. Indeed to some extent these guys are good; Issei is exceptional to the guys in doing his job, phenomenal to the girls. Answers to the questions of their sincerity lie in the numbers.

In the simplest form, a male host is a salesman; we are taken through scenes where they actually do public direct selling of their services out on the streets, with umbrellas too, selling their company to women and linger and shower them with drinks, attention and a champagne or 3.Champagnes range from $250 to $5000, and they get surrounded by male hosts when they make their “champagne call”. The amount that they spend would eventually be a male host’s pay. As part of their job, they are required to sing, drink, dance, talk, lie, joke, listen, advice, puke and whatever else they would require of them, as long as it keeps them happy. You would be thinking they would end up in bed all the time, but we’ll get to that part later.

It is neither a new concept nor a stroke of genius. What Issei does is that he rips apart with intent targeting the susceptibility and loneliness of these women clients who are ecstatic that people do care and party with them, loving, hugging, kissing, and having sex with them too, for a price. This is as close as it gets to buying happiness and love. Being there drinking and spacing out actually creates a very real fantasy world where they are the goddess/princess or whatever they are, they know they are in control of the current universe with all these men worshipping her (money). It is impossible to justify spending obscene amounts on something so temporary, menacing and possibly self destructive with all the lies and booze involved, but it IS happening.

And I wonder why. How far is a woman going to chase this illusionary happiness is something the male hosts toy upon, it is their bed and butter after all. Women are willing to spend on anything to be happy, for that is what ultimate matters, but what exactly are they looking for varies within each individual. Looking from the host club’s perspective, to make lots of money would be to have these same regularly, rich depressing women who come back often enough looking to spend some money to be happy. Morality comes into play. The ultimate form of companionship they can provide would be sex, and sex, would not be the best choice to keep them coming all the time. There is a dream to sell, which is more than sex, but the idea of being happy. And dreams pay better than sex.

Technically, male hosts are not male whores, believe what you may. The honest admission of guilt from Issei comes from his comments while discussing about the morality issue of letting these women spend all their money on them and starve and contribute to social restlessness against the desire to make more money. The lie is built on relationships, and forges into trust in time, the greatest paradox I’ve heard, but there is a moral duty for these host to avoid them spending every hard earned penny on them, where some host confess to earning $20,000- $30,000 a month. Issei said, “This is the only reason why i don’t make more than $50,000 a month.”

The demographics are appalling; though basically every woman is welcomed, most of the women interviewed are fuzokus, and some find the solace in host clubs in the fact that they are both doing the same things, except fuzokus doesn’t focuses on building relationships. They cannot find other avenues with which they could release their own stress, and no one else who would understand it more than these male hosts. Society in general looks down on prostitution, especially for women, and we find that many of these women are healing themselves by bonding with males that would understand and listen, albeit at a price. One girl even admitted to hating being a fuzoku, but without her current job, she would not be able to support her own lifestyle of going to Rakkyo every week. Getting her paycheck and visiting Issei is what keeps her going on and on and on. Issei’s affection is the paramount reason for some women to always be back there, some hoping to actually connect on a real-world basis.It will never be possible to fully understand the needs of our species.

Is love really everything, even if love is a lie?

Posted in Film reviews | Edit | No Comments »

LA SAGRADA FAMILIA (Sebastian Campos, Chile, 99 mins, Spanish w/ Eng subs)

Posted by kittt on November 13, 2006

The central plot surrounds around the arrival of Marco’s girlfriend who seems to contribute to the edgy and awkward situations that was non-existent before her stepping foot into the family. Shot in a documentary like style, using handhelds, it was a close examination of family and friendships; looking into 3 eventful days leading up to Easter in what was supposed to be a good, quiet holiday at the family’s beachside home.

Sofia was braving a contemptuous assault on Marco’s family, her openness creating an aura of tension and having her dominance endowed on each member and friends, taking a further dislike on Rita, who is rather quiet, almost mute, but more likely selectively. Though she was mute, she was beauty so prominent. Whatever she conveyed, she did so without words, and was beautiful just watching her.

Posted in Film reviews | Edit | No Comments »

THANK YOU FOR SMOKING (Jason Reitman, USA, 92 mins)

Posted by kittt on November 13, 2006

Nick Naylor probably sees America as a country divided in two; the ones who smoke and the ones who doesn’t. And that itself in only a start of the satirical fun fare that one is taken about through the whole movie, ludicrous Senator Ortolan K. Finistirre brilliantly played by William H. Macy getting in Nick’s way as chief spokesperson for the Big Tobaccos. Nick Naylor is more than just a smooth, fast-talking SOB, he’s a serial killer that no legislation has as yet caught up with him. And he’s on a vicious mission to make smoking cool again.

It’s no dinnertime conversation, but just gets your mind working a little. Just even for laugh’s sake, you should not miss this movie. It lacks the glam and gloss to be a classic, but it’ll be a favourite cult movie that just sticks in your mind for its memorable laughs,

Posted in Film reviews | Edit | 2 Comments »

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Connecting to %s

 
Follow

Get every new post delivered to your Inbox.